Ramin Djawadi

Composer
Tome
From the editors, by Tome Updated on 20/01/2026

A cello figure that became the sound of a continent at war: Ramin Djawadi scores television at feature scale.

Djawadi composes for large ensemble series, and his work has defined the sound of several. Game of Thrones and House of the Dragon share a musical world built on strings and percussion with themes assigned to houses, while Westworld takes a different approach entirely, arranging contemporary rock songs for player piano to make an artificial world feel wrong.

Background and Influences

He trained in guitar and studied at a music college before working within a film scoring collective, and the rock instrumentation of his background remains present in his rhythmic writing. His approach to long form television treats a season as a structure to be developed rather than a set of episodes to be underscored.

Style and Themes

Recurring subjects: dynasty written as a theme that returns transformed across years, betrayal scored quietly rather than loudly, and cover arrangements used as commentary. He favours solo cello and hammered strings for intimacy, and he builds his largest cues from a slow accumulation of a single repeated figure.

Legacy and Influence

His fantasy series theme is among the most recognisable pieces of television music ever written, and his live concert tours brought a television score to arena audiences. His anachronistic arrangements for a science fiction series have been widely imitated as a way of signalling artificiality within a period setting.

Who Should Explore Their Work

For listeners who follow long form television and notice when a theme returns changed. Suited to anyone interested in how a score sustains a story across many years, and to those who like arrangements that reinterpret familiar songs.

Best series ranking by Ramin Djawadi

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