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7
Detailed Ratings
Plot 4.5/5
Characters 4.5/5
Acting 3.5/5
Cinematography 3.5/5
Soundtrack 3.5/5
Brazil
+14
Balance
+14 -0
Score weighted by each hero's level: a recommendation from a level 3 hero counts for 3.
4.6/5
5
Reviews
Ranking among movies: #4 Cyberpunk
Updated on 19/03/2026
Where Bureaucracy Meets Surrealism: Terry Gilliam's "Brazil"
A dystopian world where paperwork reigns supreme and freedom is an illusion. That's the stage set by Terry Gilliam in "Brazil", a film that exploded onto screens with a confounding mix of dark humor and nightmarish fantasy. Released in 1985, its audacious storytelling stirred controversy and high praise in equal measure.
The Pitch
The story follows Sam Lowry, a government worker who dreams of escaping the drudgery of his mundane life. In a society governed by faceless bureaucracy, Sam becomes entangled in a web of mistaken identities and resistance movements. His quest to find the woman literally haunting his dreams pits him against a system determined to crush individuality at all costs.
Direction and Visual Universe
Terry Gilliam, known for his work with Monty Python, crafts an unforgettable visual universe in "Brazil". The film's design is a chaotic fusion of retro-futuristic elements, think Orwell meets Kafka, filtered through Gilliam’s comic lens. The grimy industrial metropolis contrasts sharply with Sam's Technicolor fantasies, underscored by Michael Kamen’s haunting score. Featuring performances from Jonathan Pryce, Robert De Niro, and Katherine Helmond, the cast brings this absurdist vision to life.
Who Should Watch This
Aficionados of surreal cinema and fans of dark satire will find "Brazil" both challenging and rewarding. Clocking in at 142 minutes, it demands patience but repays with thought-provoking commentary on authority and consumer culture. While not part of any series, viewers should brace for mature themes like despotism and existential despair woven into its narrative tapestry.
+14
Balance
+14 -0
Score weighted by each hero's level: a recommendation from a level 3 hero counts for 3.
4.6/5
5
Reviews
Ranking among movies: #4 Cyberpunk
Detailed Ratings
Plot 4.5/5
Characters 4.5/5
Acting 3.5/5
Cinematography 3.5/5
Soundtrack 3.5/5
Updated on 19/03/2026
Where Bureaucracy Meets Surrealism: Terry Gilliam's "Brazil"
A dystopian world where paperwork reigns supreme and freedom is an illusion. That's the stage set by Terry Gilliam in "Brazil", a film that exploded onto screens with a confounding mix of dark humor and nightmarish fantasy. Released in 1985, its audacious storytelling stirred controversy and high praise in equal measure.
The Pitch
The story follows Sam Lowry, a government worker who dreams of escaping the drudgery of his mundane life. In a society governed by faceless bureaucracy, Sam becomes entangled in a web of mistaken identities and resistance movements. His quest to find the woman literally haunting his dreams pits him against a system determined to crush individuality at all costs.
Direction and Visual Universe
Terry Gilliam, known for his work with Monty Python, crafts an unforgettable visual universe in "Brazil". The film's design is a chaotic fusion of retro-futuristic elements, think Orwell meets Kafka, filtered through Gilliam’s comic lens. The grimy industrial metropolis contrasts sharply with Sam's Technicolor fantasies, underscored by Michael Kamen’s haunting score. Featuring performances from Jonathan Pryce, Robert De Niro, and Katherine Helmond, the cast brings this absurdist vision to life.
Who Should Watch This
Aficionados of surreal cinema and fans of dark satire will find "Brazil" both challenging and rewarding. Clocking in at 142 minutes, it demands patience but repays with thought-provoking commentary on authority and consumer culture. While not part of any series, viewers should brace for mature themes like despotism and existential despair woven into its narrative tapestry.
Status: Completed
Publication: 1985
Country of origin: United Kingdom
Original language: English
Age rating: Mature (18+)
Genres: Cyberpunk Dystopian
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Nice
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It's one of those films that leaves you thinking about it long after the credits roll
8
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Try it now!
All I can say right now is subarashi....
10
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Als ich es das erste Mal gesehen habe, hat es mich nicht wirklich gepackt, aber mit der Zeit – Mann, ich gebe ihm eine 10!
You can say that again champ Amazing 🤩
Another Gilliam Masterpiece
I first watched Brazil on my own not too long after I watched Adventures of Baron Munchausen for the first time. Once again, Gilliam did not disappoint! You can tell it’s his, even if you didn’t read his name in the credits. The surreal imagery, the humor, the obligatory Monty Python cast member. It all screams Terry Gilliam.
If you’ve ever taken any issue with a bureaucratic system, then you’ll feel very vindicated by this film. So much of it is a scathing critique of bureaucracy, where the system is so full of obligatory rules and regulations than nothing can ever get done. Not to mention that when something goes wrong, no one takes responsibility for it. It’s always some other department’s fault, even if that means ignoring the responsibility for an innocent man’s death.
The cast all does a phenomenal job. Apparently multiple roles were written with their particular actors in mind, and I think it worked out great. It’s insane how many heavy hitters they got in this one. This might be my favorite DeNiro performance; I’m not used to seeing him play such a friendly guy.
I’d say my biggest issue is the relationship between Sam and Jill. It starts out well, with Jill reacting as any normal person would to a crazed man saying he’s seen her in his dreams and is in love with her. But the evolution of it into a genuine romance felt a bit rushed? I’m not sure why she suddenly liked him enough to get physical after the whole store bomb thing. I’m willing to overlook it, though, as the rest of the movie is so amazing. (Not to mention it gives us one of the best jokes in the movie.)
If you’ve ever taken any issue with a bureaucratic system, then you’ll feel very vindicated by this film. So much of it is a scathing critique of bureaucracy, where the system is so full of obligatory rules and regulations than nothing can ever get done. Not to mention that when something goes wrong, no one takes responsibility for it. It’s always some other department’s fault, even if that means ignoring the responsibility for an innocent man’s death.
The cast all does a phenomenal job. Apparently multiple roles were written with their particular actors in mind, and I think it worked out great. It’s insane how many heavy hitters they got in this one. This might be my favorite DeNiro performance; I’m not used to seeing him play such a friendly guy.
I’d say my biggest issue is the relationship between Sam and Jill. It starts out well, with Jill reacting as any normal person would to a crazed man saying he’s seen her in his dreams and is in love with her. But the evolution of it into a genuine romance felt a bit rushed? I’m not sure why she suddenly liked him enough to get physical after the whole store bomb thing. I’m willing to overlook it, though, as the rest of the movie is so amazing. (Not to mention it gives us one of the best jokes in the movie.)
22
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